Condensation

creative nonfiction
by Pam Clements


I’ve been told that one of my early words was “condensation.” This was cited by my mother as a sign of precociousness, but I think it was just a result of the way my parents talked to me from birth, a first child of two teachers. I imagine Dad carrying me between the old farmhouse kitchen and the “back room,” our mud room containing the washing machine, a row of hooks for coats, and a door opening onto the back yard. Perambulating back to the kitchen, talking all the time, describing things to me while chatting with my mother, who would have been cooking a modest Buffalo winter dinner.

The kitchen had been renovated (for the first of several times) by my parents. I have a vague memory of olive green linoleum being scraped off the floor, to be replaced by new linoleum in then-fashionable red, white and black tiles. I was only two when they bought the house, so that’s a very early memory, possibly even a false one. (I have lots of those, and a good imagination.) Tall cabinets were painted off-white, and my folks covered the countertops with red linoleum that matched the top of a kitchen table. They replaced an old cast-iron sink, and took out a pump that had once brought in water from a well under the driveway. The Norge refrigerator was no taller than my 5-foot-6 father; its rounded edges a reminder of its art deco origins. Red, white and black cotton curtains fluttered at the windows and the side door.

The door to the back yard was uncurtained, and remained so for the 42 years my parents resided there. I imagine it was this window that Dad held me up to one winter evening, for the first time uttering “condensation.” He would have traced a line in the window’s fog, and maybe pushed my toddler finger against the glass to make a similar mark. He would have then explained, despite my age, that warm moisture in the kitchen air had “condensed,” or collected, on the cold window to create that grayish fog. What optimism, to expect a two-year-old to understand that scientific concept. Or maybe he was simply amusing himself as he kept me out of my mother’s hair. “Condensation,” he repeated, pressing my little finger through the damp drops. “Condensation,” I would have chirped. He would have walked me back into the kitchen and repeated the lesson at the window on the kitchen door, pulling back the curtains. “Condensation,” said Dad. “Condensation,” repeated Pam. Mom would have chimed in to agree that, yes, the steam rising from her spaghetti sauce or pea soup was actually forming condensation. They would have laughed at my tiny voice repeating the big word, and encouraged by their laughter, I might have repeated it again. And again.

Here is one of the advantages that accrue to a lucky first – or only – child: complete parental concentration, constant gentle attention to learning. That attention, condensed, if you will, would be somewhat diluted for second and subsequent children. Of course, big sister was there to help instruct, and I’m sure she did. My younger sisters had their own advantages, mild neglect being among them, but “condensation” belongs to the firstborn.

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Pam Clements lives in Albany, New York. Her writing has appeared in literary magazines including Kalliope, The Palo Alto Review, The Plenitudes, and The Baltimore Review. She has published one volume of poetry, Earth Science, and has completed a memoir about the years she spent teaching in Charleston, South Carolina.

 

Cavescrabble

by Larry D. Thacker

Cavescrabble – Notes in a cave, perhaps transcribed from a journal or on a luncheon napkin, or the back of a pocket-damp-receipt left over from summer, whereupon revisiting you realize with great frustration the near inability to interpret your own handwriting and intentions for what seemed at the time as the beginnings of a fine thought, which causes you in turn to begin etching possible interpretations upon the black smoldered walls by licking your fingers and removing the old fires’ smokey darkness, a slow process, but with time effective enough to allow some sense of your original thoughts, but at the same time permanently staining your mouth. You are soon known as The Black Tongue, rumored as the last of the cave crawlers. Shaman of black words and dark speak. An interpreter. The Old Editor. Visited by the city-clean who crave easy answers to their easy lives, your medicine is envied but feared. The aged journal you keep hidden, still very much a mystery to you, is filled with a script gone strange a lifetime ago, your Mystery Book of Elder Deeds. The language key for it is kept sacred on the cave walls and lit by the fire you protect with the slack tongue of forgetfulness.

━━━━⊱༒︎ • ༒︎⊰━━━━

Larry D. Thacker’s poetry and fiction can be found in over 200 journals and anthologies, including Spillway, Poetry South, The Lake, The American Journal of Poetry, and Valparaiso. His books include four full poetry collections, two chapbooks, as well as the folk history, Mountain Mysteries: The Mystic Traditions of Appalachia.

 

A Domesticated Dalmatian

by Bert Hirsch

My wife keeps smelling smoke in this specific spot in our den. The first time she announced this I smelled nothing, zilch, then checked around the whole apartment, even opening the door to the hallway – again, nothing.

A few nights later, shortly after she again smelled smoke, a caravan of fire trucks, sirens screaming, came racing past our building.

The next morning, I awoke thinking to suggest that she hire herself out to the Fire Department. Like some domesticated dalmatian she could serve as a first alert system saving dozens of lives.

I have since encouraged her to approach the local fire station located just a few blocks from where we live and, after hounding her for months, she stopped there. The Lieutenant, at first, put her off as some kookie broad bored with housekeeping tasks looking for excitement but ever since she forewarned them on two separate occasions, he agreed to let her hang out sniffing around the neighborhood, assigning her to a 5-block radius reaching in all four directions: a square mile estate.

In just two months she has sniffed out a few fires and now rarely comes home. She likes hanging out with the guys and keeps letting me know how cute and courageous they all are.

I’m now afraid I’ll never get her back as she stakes out her territory chasing down fire trucks as they race to put out fires. Just yesterday I spotted her sitting at the open window of a fire truck speeding past to the next fire, her blond hair waving in the wind, eyes wide with excitement.

━━━━⊱༒︎ • ༒︎⊰━━━━

Bert Hirsch is a lifelong resident of New York City, He holds an MSW degree from Hunter College and for 35 years treated veterans with Post Traumatic Stress Disorder. He is a contributing writer to the anthological novel, The Assassination of Olaf Palme, by Rick Harsch.

 

A Necessary Gamble

by Alexandria Cook

Click!

A cacophony of groans and cheers filled the room.

The woman across from Hera released an audible sigh of relief as she lowered the revolver, her forehead beaded in sweat. Although the two hadn’t exchanged a word, Hera gathered from the boisterous audience that her opponent's name was Red, presumably because of her mop of ginger hair.

Light from oil lamps danced off the revolver's barrel as Red slid it across the table—a bell clanged for the fourth round.

The crowd surrounding them went silent. Hera's hand shook as she lifted the gun, grip slick with their combined sweat. The cold muzzle of the revolver felt good against her temple, a macabre relief from the humidity of a flooded world.

Every cell in Hera’s body screamed as the hammer clicked into place. Red watched while chewing her thumb, her expression begging for it to be the final round.

Hera shut her eyes and took a shaky breath as she pulled the trigger.

Click!

The roar of the audience, stuffed like sweaty sardines in the small room, threatened to burst Hera's eardrums. She could only gawk at their reveling.

Hera felt nauseous as she slid the revolver across the table, the next round would be a fifty-fifty. The bell clanged again.

Silence fell as Red's calloused hand reached for the revolver.

For a long moment, the woman stared at the gun in her hands, as if debating walking away. They weren’t prisoners, but playing the game was the only way to stay.

“There’s only room for one.” They’d been told as the revolver was set down between them.

Hera wanted to bolt, but she knew outside the doors of the antique shop was nothing, a never-ending ocean. The floating Town Square had been the first thing she’d seen since her city had flooded. It was an eclectic collection of buildings connected like one giant, inhabitable raft. Hera knew she’d rather die than return to drifting aimlessly, and by the look in her opponent's eyes, Red felt the same.

Red took sharp breaths, tears budding at the edges of her closed eyes while she raised the revolver to her temple. As she pulled the hammer back, her breathing steadied. When Red opened her eyes, she wore a strange, dreamy expression. The woman looked at Hera with distant, tear-filled eyes. A soft smile pulled at the corners of Red’s mouth.

Bang! Thud!

The acrid smell of gunpowder filled the room; Hera was frozen, now more acutely aware of her existence. A suffocating feeling rushed over her as blood pooled on the table, dark as the depths of the never-ending sea.

After a moment of silence, a commotion erupted once more. Men and women settled bets. Those who lost complained; those who won celebrated. None attempted to move Red's body.

Hera barely noticed the rabble; she didn’t celebrate. Instead, she was transfixed by the peaceful expression now permanent on Red’s face. Hera couldn’t remember if she’d ever smiled like that.

━━━━⊱༒︎ • ༒︎⊰━━━━

Alexandria Cook is an endlessly curious aspiring author from the rainy state of Oregon. Tales of cryptids, fairies, and all forms of the supernatural inspire her. She enjoys exploring human nature through the lens of fantasy or horror. When she's not writing, she's procrastinating.

 

Catch of the Day

by Indira Sammy

I laid the four-foot bull shark, weighing over 75 pounds, on the slab. The other fishermen had sold out and left. No one bought fish at this late hour, but I needed money. Mid-afternoon, I resorted to praying for a sale. Before long, two people argued over my catch. They both wanted the whole thing and wouldn’t give up. After 30 minutes, they agreed to steak cuts and shared the shark. I slit the stomach, and out rolled two fish, along with an attached pinky and ring finger. Quickly, I slid everything into the bin as I sliced the shark.

━━━━⊱༒︎ • ༒︎⊰━━━━

An early enchantment with West Indian Literature fuelled Indira’s fascination with the reading and writing of epic stories; a passion which has since transcended borders and cultures, to simply embrace 'imagination'. She pens skits, monologues and even poetic works as opportunities present themselves.

 

Where You Belong

creative nonfiction
by Mary Ann McGuigan


My sleeveless, floor-length sequin dress is black and shimmery and attracts the light from every direction in this huge room set aside at the Marriott Marquis for the crowded cocktail hour preceding the prestigious ceremony for the National Book Awards. Like all the finalists—there are five for each of the four categories—I wear a weighty round medal, engraved with the image of an open book, at the end of a long, wide, gold and black ribbon draped around my neck. Literary luminaries come in and out of view like June bugs among the guests—Studs Terkel, Kurt Vonnegut, Don DeLillo, Katherine Paterson—bestowing smiles and handshakes. We chat with Mr. Vonnegut briefly and in my strappy pumps I barely touch the carpet, lifted by the exquisite excitement and anticipation that fill the place—and me. I need the weight of the medal and the caress of the sequins to anchor me.

I’ve had more than my share of close encounters with New York’s lions this week. In the days leading up to the awards ceremony, the finalists were invited to read from their work at places throughout Manhattan, including the New York Public Library on 42nd Street. The event came complete with a cocktail hour attended by New York’s literary in-crowd, none of whom would know or likely remember me. In truth, I was convinced I didn’t belong at such a gathering. Spending too much time hungry as a kid can do that.

But Patience and Fortitude, whom I’d greeted countless times in my visits to the city, seemed unsurprised at my arrival. Mayor Fiorello LaGuardia named them to remind New Yorkers what it would take to get through the hard times of the Great Depression. Given what they’d witnessed from their solid perches, maybe they’d long since put aside any easy assumptions about poverty getting in the way of achievement.

But writing had never been about achievement for me. It was quite simply my secret way to right wrongs, a means of creating a world unlike my own, a place where injustice didn’t have the last word. I looked at the lions and thought of the stately Tremont Library on Washington Ave. at 176th Street in the Bronx, how I would carry home ten books at a time, the maximum allowed, and what it felt like to be that girl, walking along Tremont Avenue, eager for the relief those books would bring. I paused on the steps, let myself savor this grand, new escape, this honor, and told myself this is where you belong, at least for now.

━━━━⊱༒︎ • ༒︎⊰━━━━

Mary Ann McGuigan’s work appears in SmokeLong, Brevity, The Rumpus, The Sun, Massachusetts Review and elsewhere. Her second collection of short stories reaches bookstores in September. Her novels, one a National Book Award finalist, are top ranked by the Junior Library Guild and the NY Public Library. WEBSITE HERE