Certainly not trees in winter

by Karen Walker

In spring, when the trees aren’t hungry and naked, he’ll return to the park bench. Hardwoods fallen on hard times, birches silver, but penniless. He gets it. He’s there too. So no point in twig fingers, bending low under the weight of snow, tapping his shoulder for help. He’ll wait until the trees have been fed by April, clothed by May. After all, he isn’t their keeper. He has his own troubles, and, damn it, no one cares about those. Certainly not trees in winter.

━━━━⊱༒︎ • ༒︎⊰━━━━

Karen Walker draws and writes in Ontario, Canada. Her work is in or forthcoming in Stanchion, Weird Lit, Club Plum, Underbelly Press, coalitionworks, and Certain Age.

Credit: Originally published in Briefly Zine in March 2022.

 

The Stream Nymph

by Howard Brown

The hike up Pebble Creek trail was a bitch, a climb that left the two friends fighting for breath that day in early September of 1986, as well it should, considering they were at around 7000 feet and neither had been in-country long enough to acclimate. Still, they humped the climb without complaint, knowing full-well what lay waiting once they passed the 6k marker, left the trail, and bushwhacked down thru the brush and dead-falls to stream-side.

***

They’d discovered Pebble by accident a few years before, having fished Slough Creek for two days, then heading over Bliss Pass and back down the Pebble Creek trail just to avoid the monotony of coming out of the woods the same way they’d gone in.

At a certain point on that trek, one of them had said, “Okay, let’s see what sort of dinks there are in this little, piss-ant stream.” But to their surprise, the fishing was superb; not exactly the hogs they’d caught in Slough, but healthy enough Cutthroat, and in prodigious numbers. So, when the fishing slowed elsewhere, they always came back to Pebble.

***

And that’s what had brought them back on this particular day. The fishing was every bit as good as they’d anticipated and by two o’clock, they were ready for a break. They ate some lunch, then continued to sit and let time slide, filling the long, pregnant moments with idle talk. There was no rush; they had the whole afternoon out in front of them. And there was the dope they’d scored the night before in a Cooke City bar which they had yet to sample.

It proved to be some heavy-duty weed and after a few tokes they were content to lean back against a fallen log, listen to the murmur of the stream, and watch the banks of cumulus drifting across the autumn sky.

“Jesus,” one of them whispered at length, spotting movement on the far side of the creek. “Is that what I think it is?”

“Looks like a blond chick with a fly rod to me, dude,” the friend replied, coughing as he exhaled a final lung-full of smoke. “And she ain’t wearing nothing but a fucking fly-vest and a pair of Tevas.”

“Far out,” the first man added, sotto voce, then called out across the stream, “Having any luck, honey?”

The figure paused, turning. “Haven’t really seen anything worth casting to,” she shot back, as an incredibly long, forked tongue darted out from between her lips and snatched up a moth fluttering just above the surface of the water.

***

In all the years that followed, the two friends reminisced endlessly about their encounter with this creature, which they came to refer to as the stream nymph. And while they could never quite bring themselves to believe she’d been anything other than a hallucination—a bizarre apparition from a shared dope-dream—they never found the courage to make their way back up the root-bound trail to Pebble Creek again.

━━━━⊱༒︎ • ༒︎⊰━━━━

Howard Brown is a retired attorney who lives with his wife, Ann, and wily feline, Stormy, on Lookout Mountain, TN. His short fiction has appeared in Louisiana Literature, F**k Fiction, Crack the Spine, Pulpwood Fiction, Extract(s), Gloom Cupboard, Full of Crow and Pure Slush.

 

What Matters

by M.D. Smith

The sun hurts. I never knew it could.

It presses down like a heavy hand, squeezing the moisture from my skin, searing where there was once cool salt. I miss the sea. The soft embrace of current. The lull of waves. Down there, I knew where I was.

Now, all I know is the sand—coarse, dry, clinging in all the wrong places. My limbs are stiff—heavy. I try to move, but the grains scrape and suck at me. I am marooned.

It happened fast. A wave larger than usual tossed me upward, far beyond the reach of the tide. I thought it would come back, reclaim me. It always did before. But not this time. This time, the sea left me.

Around me, others lie still, scattered like forgotten thoughts across the beach. Some are smaller. Some, larger. None move or speak. We are quiet in our suffering, though our silence screams.

A fiddler crab scurries by and I sense his sympathy, but there’s no way he can help.

Above, gulls circle. One swoops low. I curl what I can of myself inward, bracing. But the bird veers away. Not hungry yet, perhaps. Or maybe waiting. I can wait, too. Not forever, but a little longer.

I remember the reef—shadows of passing fish and the glittering shimmer of sunlight through water. I remember the tug of the moon in the waves and the comfort of the ocean floor beneath me.

The sun climbs higher. My skin tightens. If I could scream, I would.

Then—footsteps.

Soft, rapid thumps in the sand. Human voices. Not the deep thunder of the adults that sometimes stomp through here with their careless boots, but lighter, quicker tones. Two of them. A boy and a girl.

“Look at all of them!” the boy says. “They’re everywhere!”

“I told you,” the girl answers, her voice edged with something that feels like sorrow. “The tide was rough last night.”

They walk carefully, weaving between my stranded kin. I feel their shadow fall over me. The sun fades a little. My skin sighs relief.

The boy crouches. A fingertip touches me—warm, soft, curious.

“What are they?”

“Starfish,” the girl says. “They got washed up and stranded. If they don’t get back to the water soon, they’ll die.”

I want to scream again, but now from hope. She knows. She understands.

The boy frowns. “There’s too many. Hundreds. We can’t save them all.”

“No,” she says, reaching down, “we can’t.”

I feel her fingers close around me, lifting me from the scorching sand. The air brushes against me, cooler now. I dangle for a breathless moment. The sea is there, just ahead—shimmering, alive. I can hear its gentle calling as small waves splash on the sand.

Then the boy speaks again, hesitant. “But what’s the point? I mean, there’s just too many. How can it matter to throw just a few back?”

And the girl pauses.

I hang like a prayer.

Then she steps forward and flings me gently, lovingly, into the surf. The water greets me like an old friend. It folds around me, welcomes me back into its cool arms.

As I sink and settle, I hear her voice behind me, faint but clear.

“Well… it matters to this starfish.”

━━━━⊱༒︎ • ༒︎⊰━━━━

M.D. Smith of Huntsville, AL, writer of over 350 flash stories, has published digitally in Frontier Times, Flash Fiction Magazine, Bewilderingstories.com and many more. Retired from running a television station, he lives with his wife of 64 years and three cats. Web Page

New Moon Sticky Rice with Mango

By Erin L. Swann

Ingredients:

2 cups Thai glutinous rice
3 basins of chilled water, formed from melted ice collected from the Lunar Caverns
1 cup Coconut Cream
1/2 Cup Sugar
1/4 teaspoon of Salt
2 Mangos, whole and slightly under-ripe

Instructions: 1. Rinse rice in collected water three times, once in each basin. Leave in the last basin to sit out overnight under a slivered waning moon.

2. Beside the soaking rice, swaddle your mangos in the blanket your mother knitted for the baby you’ll never have now. Sing to them the lullaby your gran used to hum as you lay them on the steps beside the rice basin. If you cry, don’t wipe the tears away this time. Let them fall into the basin. It will help.

3. Take in the basin and mangos an hour after dawn and let them rest in your lap as you sit on the rocker your friend bought for your nursery. When they feel warm to the touch, nestle the mangos in the carrier sling you picked out months ago, the one you thought matched your eyes (as if that mattered). Keep them close to your chest throughout the cooking process.

4. Drain the rice and wrap in cloth cut from your husband’s second favorite shirt, so he isn’t too mad. He’ll thank you later.

5. Place rice in a bamboo steamer set over boiling water for 20 minutes. Stand near the steam and inhale deeply every 2 minutes. Don’t cry. Very important.

6. Between inhalations, combine coconut milk, sugar and salt in a small pot and bring to a simmer.

7. Once rice is done, gently shake into the drained basin you used the previous night, still filled with residual moonlight. Pour the coconut mixture over and cover with the bamboo steamer’s lid.

8. Let rice soak for half an hour while you wipe the dust off the unused crib in the tiny bedroom beside your own.

9. Pull out the swaddled mangos, peel and slice lovingly. Whisper sweet nothings as you spoon rice onto the silver platter you received at your wedding years ago. Fan out slices of mango on top.

10. Leave on your front step under the new moon and make your plea to the moon goddess.

11. If you hear tiny, sweet cries coming from your stoop after dawn, she is pleased with your offering. If you hear cries before dawn, don’t open your door.

━━━━⊱༒︎ • ༒︎⊰━━━━

Erin L. Swann is an avid home cook and art teacher in Central Maryland. Her work appears in numerous publications including Factor Four Magazine, Flash Fiction Online, and Andromeda Spaceways Magazine. She is currently querying her debut Science Fantasy novel. Find her on X @swannscribbles and her website HERE.

Credit: This story was originally published by Deathcap and Hemlock (now defunct) in 2023.

 

Of Beggars and Queens

creative nonfiction
by Michael Theroux


The purloined grocery cart was parked on the gravel by the roadside, holding all the precious scraps the ragman had gathered. Curious children, finding the owner gone for the moment, close in to poke at the plastic bulges tied to the outside, his early morning gleanings. These bits bound for conversion to pocket change would yield six dimes, perhaps a dollar, enough to cover morning coffee and coffin-nails.

Leading the kids, a waif of maybe ten tugs and teases until one large bag comes open enough for her to peek inside. The man’s cache: carefully crushed aluminum cans. The child recognizes the pure Wealth this poor soul has loosely contained in the black plastic trash bag. Abruptly, she turns away - and with a few quiet words, she leads her posse over to a dense row of shrubbery behind the Quick-Mart.

Her extended umbrella she wields as a makeshift scepter, its chrome tip honed to sharp perfection on the concrete. Glancing about her to catch the eyes of the others with her, she disturbs the dust and rubble under the box-cut junipers, actions which her comrades replicate with their sticks and straightened clothes-hangers. With a deft plunge, she spears and extracts that which she seeks: Aluminum!

Countering the crime of metal resource wastage and dispersion, the first crumpled can is salvaged. The child notes with pleasure that this is not the only aluminum she and her team have recovered this morning. With majestic grace, she and her court walk back to the waiting cart. Her cohort standing ready as she leads by doing, the young queen places her recovered metal jewel inside the beggar’s bag.

━━━━⊱༒︎ • ༒︎⊰━━━━

Michael Theroux writes from Northern California. Michael is entering the literary field in his seventh decade, seeking publication of two books and around 400 poems and short stories. Some may be found in Ariel Chart, 50WS, City Key, Wild Word, the Lothlorien Poetry Journal, here at Cafe Lit, and elsewhere.

 

To Do List: Buy Sharpies

by Beth Sherman

Label medications by the day of the week. Label appliances in big block letters: STOVE, DISHWASHER, FRIDGE. Label the cat’s collar so when it darts out the door, a kind stranger will return it. Label the door. Label your wrist: name, address, daughter’s cell. Label the toilet. Label your past happy – who’s to say otherwise? Label your memories, fragile as soap bubbles, before they drift away and pop. Label your children: the good one, the pretty one. Label the stranger’s face confused when he appears at last holding a struggling animal that might, in the right forgiving light, be yours.

━━━━⊱༒︎ • ༒︎⊰━━━━

Beth Sherman’s writing has been published in over 150 literary journals and appears in Best Microfiction 2024 and Best Small Fictions 2025. She’s also a multiple Pushcart and Best of the Net nominee. She can be reached on X, Bluesky, or Instagram @bsherm36